THEY DON’T WEAR BLACK TIE | 1981
Leon Hirszman adapts Gianfrancesco Guarnieri’s play into a family drama about solidarity and class struggle against the backdrop of the ABC Paulista strikes.
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Drama
DRENCHED IN BLOOD | 2026
Aly Muritiba skillfully adapts Daniel Galera’s novel in “Drenched in Blood.” A dense atmosphere built around theatrical long takes serves as the backdrop for a disturbing examination of masculinity, with Gabriel Leone and Thainá Duarte
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SÃO PAULO, INCORPORATED | 1965
Released in 1965, Luiz Sérgio Person’s film remains one of the most precise portraits ever made of São Paulo — and of the kind of ambition the city produces.
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INTERVIEW: EVGENIA ALEXANDROVA (THE SECRET AGENT, 2025)
Evgenia Alexandrova, cinematographer of “The Secret Agent” (2025), discusses the decision to film Brazil’s dictatorship in broad daylight, working with Wagner Moura on set, and what it means to operate the camera to be fully present.
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THE HOUR OF THE STAR | 1985
Suzana Amaral transposes Clarice Lispector’s novel in one of the most accomplished adaptations in Brazilian cinema, with a revelatory Marcélia Cartaxo as Macabéa. The film knows how to find beauty and tragedy in the invisibility of an unforgettable character.
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INTERVIEW: JOÃO LONDRES (KLAUSTROPHOBIA, 2025)
João Londres discusses “Klaustrophobia” (2025), a psychological horror that premiered at the Rio Film Festival. The director recounts how the project was born during the pandemic and transformed in editing, details the opening sequence shot, and shares Brazilian film recommendations.
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ARABY (2017): INTERVIEW WITH CINEMATOGRAPHER LEONARDO FELICIANO
Leonardo Feliciano shares the behind-the-scenes of “Araby’s” cinematography, revealing how he built the film’s visual language over three years of discontinuous shooting. Cinematographer of “White Out, Black In” and “Mars One”, he balanced naturalism and detachment to tell Cristiano’s story.
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THE SON OF A THOUSAND MEN | 2025
Daniel Rezende sensitively adapts Valter Hugo Mãe’s novel, creating “humble epic” about coastal village. Rodrigo Santoro brings compassion to Crisóstomo, solitary fisherman who maintains humanity amid cycles of violence.
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THE SECRET AGENT | 2025
Kleber Mendonça Filho creates singular approach to Brazilian dictatorship with very strong visual language. Wagner Moura delivers perhaps his best work in film exploring how physical media preserves stories.
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INTERVIEW: MAURÍLIO MARTINS (O ÚLTIMO EPISÓDIO, 2024)
Maurílio Martins discusses “O Último Episódio”, a film set in 1991 on the outskirts of Contagem born from personal memories of Laguna neighborhood. The director talks about narrative layers, adult conflicts and the attempt to capture the impossible moment of childhood farewell.
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