FIVE KINDS OF FEAR | 2026
Bruno Bini expands his short “Three Kinds of Fear” into a feature that interweaves five storylines about violence, grief, and fear on the outskirts of Cuiabá.
FIVE KINDS OF FEAR | 2026 Read More »
Bruno Bini expands his short “Three Kinds of Fear” into a feature that interweaves five storylines about violence, grief, and fear on the outskirts of Cuiabá.
FIVE KINDS OF FEAR | 2026 Read More »
Leon Hirszman adapts Gianfrancesco Guarnieri’s play into a family drama about solidarity and class struggle against the backdrop of the ABC Paulista strikes.
THEY DON’T WEAR BLACK TIE | 1981 Read More »
Aly Muritiba skillfully adapts Daniel Galera’s novel in “Drenched in Blood.” A dense atmosphere built around theatrical long takes serves as the backdrop for a disturbing examination of masculinity, with Gabriel Leone and Thainá Duarte
DRENCHED IN BLOOD | 2026 Read More »
Released in 1965, Luiz Sérgio Person’s film remains one of the most precise portraits ever made of São Paulo — and of the kind of ambition the city produces.
SÃO PAULO, INCORPORATED | 1965 Read More »
Suzana Amaral transposes Clarice Lispector’s novel in one of the most accomplished adaptations in Brazilian cinema, with a revelatory Marcélia Cartaxo as Macabéa. The film knows how to find beauty and tragedy in the invisibility of an unforgettable character.
THE HOUR OF THE STAR | 1985 Read More »
Daniel Rezende sensitively adapts Valter Hugo Mãe’s novel, creating “humble epic” about coastal village. Rodrigo Santoro brings compassion to Crisóstomo, solitary fisherman who maintains humanity amid cycles of violence.
THE SON OF A THOUSAND MEN | 2025 Read More »
Kleber Mendonça Filho creates singular approach to Brazilian dictatorship with very strong visual language. Wagner Moura delivers perhaps his best work in film exploring how physical media preserves stories.
THE SECRET AGENT | 2025 Read More »
At 70 minutes long, Aurora 15 is a quick and peculiar horror experience with a surprisingly committed cast. Marjorie Estiano stands out with a memorable performance in this cult gem.
Ana Petta documents the threat to a small village in São Paulo through the perspective of her children Maria and Pedro. With an intimate gaze, Amora defends ways of life based on calm and harmony, creating a counterpoint between real estate speculation and the dispossession of external environments and inner worlds amid urban verticalization.
Gustavo Castro follows the Latiff family, made up of Palestinians and Brazilians, to create a pluralized portrait of the Palestinian people. The documentary builds an informative timeline of the conflicts with Israel and reaches a relevant conclusion about how the most video-recorded genocide in history can be questioned amid the ocean of information on social media.
NOTES ON A EXILE | 2025 Read More »