João Londres discusses “Klaustrophobia” (2025), a psychological horror that premiered at the Rio Film Festival. The director recounts how the project was born during the pandemic and transformed in editing, details the opening sequence shot, and shares Brazilian film recommendations.
INTERVIEW: JOÃO LONDRES (KLAUSTROPHOBIA, 2025) Read More »
Leonardo Feliciano shares the behind-the-scenes of “Araby’s” cinematography, revealing how he built the film’s visual language over three years of discontinuous shooting. Cinematographer of “White Out, Black In” and “Mars One”, he balanced naturalism and detachment to tell Cristiano’s story.
ARABY (2017): INTERVIEW WITH CINEMATOGRAPHER LEONARDO FELICIANO Read More »
Tropical Alien talked with director Marco Dutra about “Bury Your Dead” (2024), an adaptation of the first book in Ana Paula Maia’s trilogy. The film follows Edgar (Selton Mello), responsible for removing roadkill carcasses in Abalurdes, a fictional small town. In the interview, Dutra discusses writing about death during the pandemic and how Ana Paula Maia’s literary universe provided the foundation for creating a Brazilian language of cosmic horror. The director details Selton Mello’s physical performance as Edgar and his collaboration with Ana Paula Cardoso on production design and Rui Poças on cinematography.
INTERVIEW: MARCO DUTRA (BURY YOUR DEAD, 2024) Read More »
Maurílio Martins discusses “O Último Episódio”, a film set in 1991 on the outskirts of Contagem born from personal memories of Laguna neighborhood. The director talks about narrative layers, adult conflicts and the attempt to capture the impossible moment of childhood farewell.
INTERVIEW: MAURÍLIO MARTINS (O ÚLTIMO EPISÓDIO, 2024) Read More »
Tropical Alien spoke with André Antônio about “Salomé”, winner of eight awards at the 2024 Brasília Film Festival. In the interview, the director explores his investigation of desire through an aesthetic that blends realistic relationships with extreme visual artificiality, using neon colors and references to American film noir.
INTERVIEW: ANDRÉ ANTÔNIO (SALOMÉ, 2024) Read More »
In Tropical Alien’s third interview, directors Clarissa Campolina and Sérgio Borges reveal how “Suçuarana” was born from reading Henry James in 2012, going through 12 years of development to become a road movie about Dora’s search for lost land.
INTERVIEW: CLARISSA CAMPOLINA AND SÉRGIO BORGES (SUÇUARANA, 2024) Read More »
In Tropical Alien’s second interview, we spoke with director Guto Parente about his feature film “A Strange Path” (2024), a deeply personal film about the relationship between father and son, written during the pandemic as a way to reconnect with shared cinematic memories.
INTERVIEW: GUTO PARENTE (A STRANGE PATH, 2024) Read More »
In Tropical Alien’s first interview, directors Rafaela Camelo and Emanuel Lavor delve into the creation and production of the short film “The Beads”.
The Beads (2023) | INTERVIEW Read More »
Nara Normande’s adaptation balances the naturalism of an adolescence shared with nature and the fantasy that exacerbates the young protagonist group’s feelings. A coming-of-age that knows well how the relationship between time and nature can be exuberant to watch on screen.
At a bar table, old samba singer and composer Adoniran Barbosa tells a young waiter stories about a São Paulo that no longer exists. He fondly remembers the maloca where he lived with Joca and Mato Grosso, their passion for Iracema and other characters eternalized in his sambas, chronicles of a metropolis swallowed up by the voracious appetite of progress.
SAUDOSA MALOCA | Coming Soon Read More »
